Sound theory, sound practice / edited by Rick Altman
Material type: TextLanguage: English Series: AFI film readersPublisher: New York : Routledge, 1992Description: vi, 291 páginas : ilustraciones ; 23 cmContent type:- texto
- sin mediación
- volumen
- 0415904579
- PN1995.7 S68 1992
Item type | Current library | Collection | Call number | Status | Date due | Barcode |
---|---|---|---|---|---|---|
Libros | Mediateca | Bibliográfica | PN1995.7S68 1992 (Browse shelf(Opens below)) | Available | 11960 | |
Libros | Mediateca | Bibliográfica | PN1995.7S68 1992 (Browse shelf(Opens below)) | Available | 11962 | |
Libros | Mediateca | Bibliográfica | PN1995.7S68 1992 (Browse shelf(Opens below)) | Available | 11961 |
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PN1994.9 F5518 2017 Palabra de cineasta : citas, ocurrencias y píldoras de sabiduría / | PN1995.2S34 2010 La luz y la guerra : el cine de la Revolución mexicana / | PN1995.7C4518 2009 Film, a sound art / | PN1995.7S68 1992 Sound theory, sound practice / | PN1995.9A26 B45 2003 Ej. 1 La piel de los dioses / | PN1995.9A26 C37 2005 Ej. 1 ¿Qué hace una estrella como yo en una película como ésta? | PN1995.9C36 S47 2010 La creación de personajes cinematográficos : el espejo de celuloide / |
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General introduction: Cinema as Event -- 1. The Material Heterogeneity of Recorded Sound -- Theorical perspectives -- Introduction Four and a Half Film Fallacies -- 2. Sound Space -- 3. Reading Writing and Representing Sound -- 4. She Sang Live -- 5. Wasted Words -- Historical Speculations Introduction Sound/History -- 6. Historical and theoretical Issues in the coming of Recorded sound of the cinema -- 7. Translating America: The Hollywood Multilinguals 1929-1933 -- 8. 1950s Magnetic Sound: The Frozen Revolution -- Neglected Domains Introduction: Sound's Dark Corners -- 9. Women's Voices in Third World Cinema -- 10. The Sound of Early Warner Bros. Cartoons -- 11. Imagining the Sound(s) of Shakespeare: Film Sound and Adaptation -- 12. Conventions of Sound in Documentary -- 13. And Then There Was Sound: The Films of Andrei Tarkovsky .
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