Amazon cover image
Image from Amazon.com

Sound theory, sound practice / edited by Rick Altman

Contributor(s): Material type: TextTextLanguage: English Series: AFI film readersPublisher: New York : Routledge, 1992Description: vi, 291 páginas : ilustraciones ; 23 cmContent type:
  • texto
Media type:
  • sin mediación
Carrier type:
  • volumen
ISBN:
  • 0415904579
Subject(s): LOC classification:
  • PN1995.7 S68 1992
Contents:
General introduction: Cinema as Event -- 1. The Material Heterogeneity of Recorded Sound -- Theorical perspectives -- Introduction Four and a Half Film Fallacies -- 2. Sound Space -- 3. Reading Writing and Representing Sound -- 4. She Sang Live -- 5. Wasted Words -- Historical Speculations Introduction Sound/History -- 6. Historical and theoretical Issues in the coming of Recorded sound of the cinema -- 7. Translating America: The Hollywood Multilinguals 1929-1933 -- 8. 1950s Magnetic Sound: The Frozen Revolution -- Neglected Domains Introduction: Sound's Dark Corners -- 9. Women's Voices in Third World Cinema -- 10. The Sound of Early Warner Bros. Cartoons -- 11. Imagining the Sound(s) of Shakespeare: Film Sound and Adaptation -- 12. Conventions of Sound in Documentary -- 13. And Then There Was Sound: The Films of Andrei Tarkovsky .
List(s) this item appears in: Phonografías: música y sonido. Prof. Juan José Rivas
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Current library Collection Call number Status Date due Barcode
Libros Mediateca Bibliográfica PN1995.7S68 1992 (Browse shelf(Opens below)) Available 11960
Libros Mediateca Bibliográfica PN1995.7S68 1992 (Browse shelf(Opens below)) Available 11962
Libros Mediateca Bibliográfica PN1995.7S68 1992 (Browse shelf(Opens below)) Available 11961

Incluye referencias bibliográficas e íncice.

General introduction: Cinema as Event -- 1. The Material Heterogeneity of Recorded Sound -- Theorical perspectives -- Introduction Four and a Half Film Fallacies -- 2. Sound Space -- 3. Reading Writing and Representing Sound -- 4. She Sang Live -- 5. Wasted Words -- Historical Speculations Introduction Sound/History -- 6. Historical and theoretical Issues in the coming of Recorded sound of the cinema -- 7. Translating America: The Hollywood Multilinguals 1929-1933 -- 8. 1950s Magnetic Sound: The Frozen Revolution -- Neglected Domains Introduction: Sound's Dark Corners -- 9. Women's Voices in Third World Cinema -- 10. The Sound of Early Warner Bros. Cartoons -- 11. Imagining the Sound(s) of Shakespeare: Film Sound and Adaptation -- 12. Conventions of Sound in Documentary -- 13. And Then There Was Sound: The Films of Andrei Tarkovsky .

There are no comments on this title.

to post a comment.

Powered by Koha