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The primacy of drawing : histories and theories of practice / Deanna ; [designed by Gillian Malpass]

By: Contributor(s): Material type: TextTextLanguage: English Publisher: Londres : Yale University Press, c2010Description: ix, 521 p. : il. (algunas col.) ; 30 cmISBN:
  • 9780300126464 (cl : alk. paper)
Other title:
  • The primacy of drawing [Parallel title]
Subject(s): LOC classification:
  • NC53 P48 2010
Contents:
I. Drawing as continuum : 1. The origins of drawing and the primacy of line -- 2. The persistent cult of the sketch -- 3. Finished, autonomous and presentation drawings -- II. The linear economy : 4. Line, mark, linear codes and touch -- 5. Material traces -- 6. Drawing strategies -- 7. Invisible lines: the affective semiotics of design and composition III. Drawing as discipline : 8. Drawing and learning -- 9. Bodies in pieces : anatomical and drawing manuals for artists -- 10. The complex contradictions of copying -- IV. Drawing the self : 11. Drawing the drawer: the naturalisation of practice -- 12. Drawing the studio: power and legitimation -- V. Drawing the other : 13. Charged lines and vernacular bodies -- 14. Drawing death and desire -- VI. Drawing the future : 15. Drawing now.
List(s) this item appears in: Bibliografía. Prof. Javier Areán
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Item type Current library Collection Call number Status Date due Barcode
Libros Mediateca Bibliográfica NC53 P48 2010 (Browse shelf(Opens below)) Available 10404

Published with the assistance of the Chora Project

I. Drawing as continuum : 1. The origins of drawing and the primacy of line -- 2. The persistent cult of the sketch -- 3. Finished, autonomous and presentation drawings -- II. The linear economy : 4. Line, mark, linear codes and touch -- 5. Material traces -- 6. Drawing strategies -- 7. Invisible lines: the affective semiotics of design and composition III. Drawing as discipline : 8. Drawing and learning -- 9. Bodies in pieces : anatomical and drawing manuals for artists -- 10. The complex contradictions of copying -- IV. Drawing the self : 11. Drawing the drawer: the naturalisation of practice -- 12. Drawing the studio: power and legitimation -- V. Drawing the other : 13. Charged lines and vernacular bodies -- 14. Drawing death and desire -- VI. Drawing the future : 15. Drawing now.

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