Hemispheric integration : materiality, mobility, and the making of Latin American art / Niko Vicario
Material type: TextLanguage: English Series: Studies on Latin American art ; 3Publisher: Oakland, California : University of California Press, [2020]Description: 295 páginas : ilustraciones a color ; 24 cmContent type:- texto, imagen fija
- sin mediación
- volumen
- 9780520310025
- N6502.5 V55 2020
Item type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode |
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Libros | Mediateca | Bibliográfica | Available | 2024-0303 | |||
Libros | Mediateca | Bibliográfica | N6502.5 V55 2020 Ej. 1 (Browse shelf(Opens below)) | Ej. 1 | Available | 16489 |
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N6497 I53 2019 Ej. 1 In the mind, but not from there : real abstraction and contemporary art / | N6502 A4718 2018 Arte sonorense : sonora 1.0 apuntes para una colección / | N6502.5 B535 2020 Ej. 1 Dematerialization : art and design in Latin America / | N6502.5 V55 2020 Ej. 1 Hemispheric integration : materiality, mobility, and the making of Latin American art / | N6512 H28 1996 Ej. 1 True colors : the real life of the art world / | N6512.5.A25 A22918 2017 Ej.1 El expresionismo abstracto / | N6530.C2 S43 2006 Ej.1 Second natures : faculty exhibition of the UCLA Design/Media Arts department, Eli & Edythe Broad Arts Center / |
Incluye bibliografía e índice.
Acknowledgments -- Introduction -- “The revolutionary medium” : Siqueiros’s Duco muralism -- Morphological constructivism : Torres-García’s “New art of America” -- OIAA/MoMA : the Rockefeller nexus of Latin American art -- Local Color : Carreño’s art of “interpenetration” -- Conclusion -- Notes -- Selected bibliography -- List of illustrations -- Index.
"Exploring art made in Latin America during the 1930s and 1940s, Hemispheric Integration argues that Latin America’s position within a global economic order was crucial to how art from that region was produced, collected, and understood. Niko Vicario analyzes art’s relation to shifting trade patterns, geopolitical realignments, and industrialization to suggest that it was in this specific era that the category of Latin American art developed its current definition. Focusing on artworks by iconic Latin American modernists such as David Alfaro Siqueiros, Joaquín Torres-García, Cândido Portinari, and Mario Carreño, Vicario emphasizes the materiality and mobility of art and their connection to commerce, namely the exchange of raw materials for manufactured goods from Europe and the United States. An exceptional examination of transnational culture, this book provides a new model for the study of Latin American art." -- tomado de la página del proveedor.
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