A new art from emerging markets / Iain Robertson
Material type: TextLanguage: English Publisher: Surrey, Inglaterra ; Burlington, Vermont : Lund Humphries, 2011Description: 208 páginas : ilustraciones ; 25 cmContent type:- texto, imagen fija
- sin mediación
- volumen
- 9781848220195
- N8600 R63 2011
Item type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode |
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Libros | Mediateca | Bibliográfica | N8600 R63 2011 Ej. 1 (Browse shelf(Opens below)) | Ej. 1 | Available | 16239 |
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N8224.M45 A34 2009 Ej. 1 ¿Afirmar la realidad? : cuaderno de trabajo, Simposio Injerto 2009 / | N8384.H3 A3 1993 Sixteen to sixty : memoirs of a collector / | N8600 A33 2014 Ej.1 Big bucks : the explosion of the art market in the twenty-first century / | N8600 R63 2011 Ej. 1 A new art from emerging markets / | N8600 T48 2008 Seven days in the art world / | N8600 T483 2017 Ej. 1 The orange balloon dog : bubbles, turmoil and avarice in the contemporary art market / | N8604 P44 2006 V.1 Ej.1 Contemporary art : part I / |
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Introduction : all change in the art market -- The East Asian democracies : Taiwan, South Korea and Japan -- Greater China -- The Persianate world : Iran, Iraq, Pakistan and Afghanistan -- Hindustan : India -- South East Asia : Indonesia, Thailand, Vietnam, Philippines and Malaysia -- The offshore art exchanges : Hong Kong, Singapore and the United Arab Emirates.
"A New Art From Emerging Markets sets out to introduce and examine three types of emerging market for contemporary art: the very recently established, the maturing and the mature. In temporal terms, the youngest are no more than five years old; the maturing, fifteen years old; and the mature up to twenty-five years old. But time is only one measure of the market, because size and speed of growth provide other means of establishing where the market is placed. As well as providing a survey of emerging art markets throughout the world, the book is concerned with looking at how value in non-Western contemporary art is constructed largely by external political events and economic factors rather than aesthetic considerations. For instance, Dubai's political risk has increased markedly with the threat of a terrorist attack in the Emirate: this has repercussions for one of the world's newest art-market hubs and will undoubtedly affect the progress of prices for Middle-Eastern and Indian art. The book also considers whether it is better to let a new art market grow organically, driven by commercial imperatives, or for the government to step in to construct a cultural and economic infrastructure within which an art market can be placed. Written accessibly and engagingly for general readers as well as art professionals and investors, the book presents emerging art-market scenarios, often with recourse to past markets, that offer the collector, investor, speculator, observer and culturally interested individual an insight into where the new markets are and how they are likely to develop." -- tomado de la página del proveedor.
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